Disclaimer: Reviews marked “Writing Model” are focused on the craft of writing and, therefore, may contain spoilers.
Why I Read This: I wanted to look at world-building and voice. This book was recommended to me by someone who loves Roth’s works. I haven’t read her Divergent series or seen the movie adaptations.
PLOT: Poster Girl is a post-dystopian novel. The Delegation, a technocratic government, has been overthrown by Analog insurgents. The families of Delegation elites were condemned to live in a prison city called the Aperture. Sonya, the literal poster girl for the Delegation, has been imprisoned for ten years.
PLOT-MOVER: To earn the privilege of living outside The Aperature, Sonya must find a girl whom the Delegation forcibly “rehomed” away from her birth family.
Because of the restrictions of the setting, the protagonist has things done to her, instead of doing. It isn’t until the seventh or eighth chapter that she seems to find her footing.
WORLD-BUILDING: Sonya has “Insight” embedded in her (left? right?) eye, an implant which the old regime used to link citizens directly to the government. It provides an automatic search-engine to provide Delegation-approved information about whatever she sees. The author makes it clear that as useful as it is, it also means Sonya has never had any privacy. Case in point, Sonya can’t even masturbate without Insight noting.
MOOD/TONE: Ennui with occasional annoyance and angst.
WRITING STYLE: This novel is basic, as the kids say. It’s written in third person, present-tense with fairly low vocabulary. Solid descriptive passages are rare.
VOICE: Several characters sound the same. This makes sense in Sonya’s social group, the children of former elites. But non-elite characters, who might have been distinguishable by their slang or work jargon, sound downright bookish. For example, a prison guard tells Sonya, “Someone left this for you. Gangly fellow.” Who says ‘gangly fellow’?
I intensely disliked when people talked like characters from the ’90s TV show Buffy the Vampire Slayer. For example, a character discussed the Delegation-imposed cost-benefit analysis like an experienced office worker. In the next paragraph, he switched to dropping whimsically archaic phrases like “By whom, pray tell?”